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In his prime, LaFontaine would glide from studio to studio, recording up to 35 spots a day; his chauffeur kept the engine running between sessions – you could squeeze in a couple of extra spots if you didn’t bother to find a parking space. The car was a white stretch Lincoln Town Car bearing the monogram “DLF”, anointed with a coronet. It was equipped with a wildly expensive ship-to-shore phone and a fax machine that whirred out scripts en route to each recording. “I’m just a generic VOG,” LaFontaine used to say: just your regular, old Voice of God. |
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