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As we always know the outcome of historical fiction, Gregory shows considerable skill in generating and maintaining tension, mostly between women. Sometimes her projection of 21st-century analysis into the mouths of characters is unconvincing, as when Elizabeth confronts Margaret Beaufort with the accusation that her lack of love for her son has rendered him incapable of inspiring love in his subjects: “You worked for him, and you strove for him, and you plotted for him — but I doubt that you ever, in all his baby years, held him on your knees, tickled his toes and made him giggle.” |
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2019-05-28 06:50:44 |
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